The Band That Went Down Gock Highway
A horror story for the music
enthusiast... Tradition dictates that I begin by laying down hard facts
I have absolutely no basis for... You're bound to have at least 5 different
favourite bands of all time before the age of 18..... If you're a complete
fuckhead with no integrity, you'll probably have more 'cos your crap
friends made you like all stuff they unwisely spent their money on...
so anyway... there you are, skipping home like a rent boy on Good Friday,
with the new album by your very very favouritest band of that week of
your life... you run to wherever you have access to musical hardware,
whether it be state of the art Technics or orange and black Steepletone...
plastic wrapper is ripped from product... play procedure is activated
and... excited smile disintegrates through nervous eagerness and nausea
until forced smile disappears... out of the speakers melt this unfamiliar
spew... Panic!!!!!!... Shit, they've put the wrong record in the sleeve...
Check the centre label... no... Ok, maybe some other band was pressed
on the vinyl and was labelled as your desired product accidentally,
or by some disgruntled youth at the pressing plant who reckons he's
hilarious... try and match lyrical content with that which is printed
on the sleeve... A feeling of disgorgement overcomes you... Suddenly
it all becomes very clear... the band that meant so much to your bad
life has finally gone shit... Fanaticism for this band's sense of infection
and principle simply vacates your body and drifts out the nearest window...
numerous attempts are made to allow that period of time where the record
might grow on you... hmmmmm... no, it's still crap... Within minutes,
your new record by your very, very favouritest band of that week of
your life is laid in it's permanent resting place... on the wrong side
of that copy of "Bat out of Hell" you've had since you were
eight... It is never brought up by you in conversation and only ever
spoken of with abrasive venom... So much for a safe bet. " Well.....
", say the smart arsed, "It's never going to happen to my
favourite band 'cos I've got such an awesome taste in music etc etc........."
.........WRONG ....... Band gets popular... disposable money means cocaine
for brunch... band with solid idea of what compels them suddenly become
"Artistes".... extra truck is needed on the road to house
ego... songs disappear, only to be replaced by doctored studio jams
which take months to record... Line-up fluctuations are a good signal......
as are big ass contracts, albums being released when you know the band's
been on the road for the last 11 months, or just the follow up to a
damn good record. Whatever the excuse, a bad record from a good band
is still a bad record, so let's examine the culprits.
Prime beef.... step
on up BLACK FLAG... many called them the baddest band in the land, but
after Dez Cadena finally vacated and left MY WAR as hollow unfinished
business, they jammed on the breaks, took a swift left at ass-water junction
and down the urinals of hair, metal-envy and road burn. Think about it...SLIP
IT IN, IN MY HEAD, LOOSE NUT... what a puddle of fucking donkey skutter...
I mean, Come on!! .... This band wrote Nervous Breakdown, The DAMAGED
album.... a severe case of crumbling from monuments to mole hills.
The crossover between
punk and metal is probably a major stumbling ground for the weaker of
the species. Many have successfully milked the best of both genres, but
the histories of SUICIDAL TENDENCIES and CELTIC FROST map the ugly side
of things. For a bunch of idiot kids who thought they were hispanic homies,
ST vomited one of the great glorious rackets of hardcore punk's wonder
years. They looked like filthy east LA scum, ruined dozens of white dinner
shirts with badly drawn skulls and pathetic grammar, and were apparently
fond of skateboarding and posturing. Fair enough... a bit of juvenile
negativity was never really a problem, but when the abrasive torrent becomes
a vomitorium of whingey self pity, mini-trasher emotive melodies and stupid
bandanas, you can't help but wondering how ST slipped by the first Nuremberg
wallet chain trials. As for the chocolate munching alpine twits - the
European ambassadors of metal operatic pomp doom - CELTIC FROST - Not
only did they boast a seminal use of corpse paint and one Thomas Gabriel
Warrior, the worlds third ugliest man (after Aristotle Onassis and Andrew
Lloyd Webber), but one of the most laughable falls from grace. Onwards
into the trappings of consciously trying too hard to design a saleable
commodity which no one subsequently bought, these HR Giger buddies turned
to pink plastic trousers and poodle haircuts. And the reason? ... maybe
it was because Poison, Motley Crue, G'N'R and Faster Pussycat were all
charting and poor Thomas Fischer wasn't getting any pocket money off the
dodgy accountant at NOISE INTERNATIONAL. Whatever sad motive lay behind
it, Celtic Frost created a COLD LAKE and sank very deeply into it. No
doubt now manning petrol pumps & guitar shops in the alps. Quite often,
it'll take a long time off the cocaine to realise just how knee deep in
the sludgy rectal drippings you actually are. For a prime example look
at BLACK SABBATH. Were the following really necessary or remotely in
keeping with the first 4 years of records....
1. Bill Ward's
Underpants on the cover of SABOTAGE
2. Rock'n'Roll Doctor
3. Live Evil
4. Ian Gillan
5. SEVENTH STAR
6. That "..featuring Tony Iommi " nonsense
7. Tony Martin
8. THE ETERNAL IDOL
9. The return of Dio
9 steps to fucking
hell if you ask me - It all started with a public display of bad underpants
and went skew-ways from there. Only the immense weight of quality from
the early years pulled them out of that one - Which, I guess kind of made
their reformation a guardian JCB or something, which eventually excavated
and restored a relic of world heritage. And maybe, just maybe, Tony Iommi
can sleep without incontinence pants now. Poor disillusioned child...
And sometimes, even the bands themselves will hide away their records,
stash them among their mothers scratchy Carol King originals and run.
I'm all up for experimentation, but an adequate group of musicians will
fall harder than a shower of feckless losers when said experiment exits
to the world via the ringpiece.
Let me tell you
a story. Once upon a time there was a little old Southern Californian
punk rock group called BAD RELIGION. They recorded a fist full of EPs,
and an adequately seminal punk album. Following on from this - acoustic
guitars, concepts, swirling underproduced keyboards and riffs straight
from the new Journey album. Rehabilitated punk elders Graffin and Gurewitz
were left to complete their INTO THE UNKNOWN "Observation" alone
as various peripheral musicians from the original band dropped their hardware
and vacated. Personally, I blame Greg Graffin, only a career micro-biology
could possibly confuse anyone into writing songs with titles like "
CHASE THE WILD GOOSE ". Betchya that's not exactly a live favourite
there Greg. Redemption overkill in subsequent years gave this toss a hiding
place. Somehow, the lesson learned for all to heed is along the lines
of - Punk rock and King Crimson (not that there's anything we dislike
about them) DO NOT MIX.
Onward down Gock
Highway we pass more fast lane wreckage than it's possible to actually
give a toss about..... although It's nice to see various members of the
Eagles splattered out as roadkill. This is where they always belonged...
But let's not get sidetracked, this is about bands that had worth at some
point, let's see if we can find any corpse matter specific to our study...
there is of course the matter of the phenomonal retardant of many late
70's punk bands. The 80's (bless 'em) crept over the roof tops like a
heavy mist of Agent Orange and the punk casualties were tremendous. I
summon to the dock THE DAMNED and the STRANGLERS. Our question - why must
we see your utterances of guff clogging up every second hand section from
here to Camden Market and beyond. It's odd that parts of a bands discography
can be spread across both collectors record shops and car boot sales.
It's possible that your actions led countless reformed pensioners attempting
to relive past glories with poorly disguised dogshit, where once there
were simple but vital and edgy tunes. Our evidence.....
EXHIBIT
1 - SLF... The world is not a better place as a result of FLAGS
AND EMBLEMS or any subsequent MOR crud. (It's not actually a worse place,
but just fuck off anyway).
EXHIBIT 2 - THE RAMONES... End of The Century, Suburban
Jungle, Pleasant Dreams.... Time and money would have been better spent
on rehab. Luckily, redemption followed.
EXHIBIT 3 - PUBLIC IMAGE LIMITED... Where once there
was a highly infuential and innovative industrially laced grindstone,
there now lies a career of equal length featuring crap flat straight rock
and miserably uninterested vocals. Almost became Billy Idol for a while
there!!!!
EXHIBIT 4 - THE VIRGIN PRUNES... (see Public Image Limited
for exactly the same answer!)
EXHIBIT 5 - WIRE... (as above!)
I could go on and
rip up the trackmarks of every influential band that springs to mind....
they've all got their stinkers, and the best ones fall hardest... it stands
to reason... they've got more to loose than your average punk toss and
even within other spheres, Miles Davis has his stinkers, as do Hawkwind,
Motorhead, Lee Scratch Perry, Funkadelic etc...etc...
Next time there's
a picture disc copy of "The Black Album" by the Damned, "Second
Coming" by the Dickies, or jaysus forbid, "The last man in Europe"
by the Blades handing amongst the U2 promos in some dingy record hovel
run by wankers, remember that it's dosh which could be better spent on
destroying your liver.
- BOZ
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